• 2009-04-11

    【Conception】艺术的次层 - [Notes on ART]

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    http://www.blogbus.com/annsart-logs/37754222.html

    关于艺术的次层的讨论

    艺术的次层是我突然冒出来的一个奇怪念头,但是又十分的通俗和显而易见,从前两天想到的艺术的平和简单和创作的自由多样而引申出来的概念。

    艺术的次层生存的空间属于在某个高端艺术之下的隐藏点,可以是一个概念,也可以是一种作品的形式,但是从未间断过。放大一些说,在早期艺术刚刚发展起来的时代,艺术的次层只是一种概念,或者萌动的跃跃欲试。这些次层存在于对于传统艺术死板格式化的推翻和反叛。后来大量的被衍用在现当代艺术和抽象艺术之中,并且随着被更广泛群众的接受而改变了其隐蔽的身份。

    而现在所能看到的艺术的次层,可以称作艺术的另一种创作方式。比如在Fine Art的形式之外,新鲜产生的电子,数码,科技,设计等等,在更加实用领域的艺术化要求,使得艺术成为一种趋势化的半成品。在脱离了原本的画布,展厅,博物馆,收藏室之后,艺术更加普遍,并且与更多更广泛的层面良好的融合。虽然不好说这是一种怎样的趋势,但是让艺术可以平均化,或者浅显易懂化,也是亘古不变的长久以来的一种在文艺界中各种形式的趋势。

    还有一种艺术的次层,就是艺术家在创作之中所使用的形式和表达的心情,这与之前所介绍的独立艺术人有很大的联系。很多人提出自己的艺术品意义的被误解,曲解,刻意加重色彩,或者被忽略。艺术品和艺术家之间关系的剥离制造了一种微妙的空间。很多艺术家学会利用这一空间来保证自己的艺术品的地位,有些艺术家严肃的维护着自己的立场来防止任何可以回旋的空间。

     

    [English Version] My first time translation..

    A sub-level for art is an eery idea that suddenly popped up in my mind. However, when I think more about it, it is quite common and self-evident. The previous discussions about “simplism” and pureness of art and the freedom and diversity of the creating process helps the production of the conception of sub-level art.

     

    The space for a sub-level art exists in a hidden point of a higher level or regular forms of fine art. It could just be a conception, also could be a format of art works. Nevertheless, its substantial existence is never interrupted. For instance, during the early stage of art, the sub-level art could just be a concept, or an attempt. These sub-levels subsisted in the rebellious motions towards traditional art schema. Later, as the emerging and popularizing of contemporary art, more and more anti-traditional and revolutionary art forms and perspectives have been utilized and recognized by the public. The conceptual sub-level art gradually transforms its hidden character to an obvious arena.

     

    Nowadays, the sub-level art can be found or considered as new approaches to art. Advanced techniques provide art with a more intimated connection with fields that are more practical and accessible to daily life. Art, on the other hand, has been partly deprived from the ordinary canvas and paper, galleries, museums and special collections, also those hermetic nature of artistic practice. Art becomes more common, and merged with broader range of things. Though it is difficult to distinguish a future in this trend, but the idea of making art average and more understandable is something that has not changed in the literature and art area since long before.

     

    Another sub-level for art relates with artists’ emotion and attitudes during executing art works. This could be touched with the individual artists, which I mentioned in previous articles. Many artists argue that their works are either misunderstood, or stressed too much unnecessary opinions with it. The relationship between art and artist creates a subtle space. Some artists have learned to use this space to protect their own art works position. Other artists solemnly defend their own fields to prevent from additional colors to fill into the space.

     

    其实写很多字很难,关于艺术这个话题的会更困难一些。其实去理解很多人不选择做艺术,或者选择不理解艺术的原因,就想码字这件事情总会用自己的结论来推翻前提一样。在没有准确定义和结论的思想中,一切都是悬而未决的迷。而沉醉于其中的,不知道该不该用任性这两个字来形容。

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